Poetry

Review: When I Grow Up I Want To Be a List of Further Possibilities

Cover of "When I Grow Up I Want to Be a List of Further Possibilities," featuring an echoing dark gray outline of a human head on a black background.

Title: When I Grow Up I Want to Be a List of Further Possibilities

Author: Chen Chen

Genre: Poetry

Trigger Warnings: Cancer, serious illness, sexual content (mild), racism, homophobia

Back Cover:

In this ferocious and tender debut, Chen Chen investigates inherited forms of love and family—the strained relationship between a mother and son, the cost of necessary goodbyes—all from Asian American, immigrant, and queer perspectives. Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.

Review:

In one of the poems in this collection, Chen Chen responds to a friend saying that all his poems are about being Asian and gay. The friend was correct – these poems are about being gay, Asian, or gay and Asian. But that is not a bad thing. Poems are about feelings, and these poems are full of feelings.

Chen writes about the racism he and his family encounter for being not white in America. He writes about being an immigrant whose parents long for another country that they left when he was too young to remember. He writes about crushes on white boys who don’t notice him and the rough joy of loving another man. He writes about the many ways he disappoints his mother and how his parents reacted when he told them he was gay.

These poems are sometimes crass and crude, but it adds a hollow realness to the feelings, like the world is determined to hollow him out but somehow he’s still here, still writing, still gay and Asian and putting pen to paper to give words to everything trying to scoop the life out of him. This collection of poetry is very different from poetry I’ve read before, more harsh and brutal than elegant and beautiful, but the emotions were vivid and clear, and that is what poetry should be.

Poetry, Short Stories

Review: Literature from the “Axis of Evil”

Cover of "Literature from the 'Axis of Evil,'" featuring a snowy scene with dark leafless trees in the background.

Title: Literature from the “Axis of Evil”: Writing from Iran, Iraq, North Korea, and Other Enemy Nations

Author: Various (anthology)

Genre: Poetry/Short Stories

Trigger Warnings: Vary between stories; include poverty, child abuse, sexual content, excrement, death, blood, injury, and war

Back Cover:

In thirty-five works of fiction and poetry, writers from countries Americans have not been allowed to hear from-until the Treasury Department revised its regulations recently-offer an invaluable window on daily life in “enemy nations” and humanize the individuals living there. The book includes works from Syria, Lybia, the Sudan, Cuba, as well as from Iran, Iraq, and North Korea. As editor Alane Mason writes in the introduction, “Not knowing what the rest of the world is thinking and writing is both dangerous and boring.”

Review:

This book is utterly fascinating. It contains thirty-five works of poetry, short stories, and excerpts from longer fiction from Iran, Iraq, North Korea, Syria, Lybia, Sudan, and Cuba, all nations considered enemies of the United States, where I live. Each country’s section starts with a bit about the countries themselves and the cultural context the works were written in, and each work begins with a short biography of each author (excepting North Korea, where biographical information for most authors is not released by the state).

It’s hard to talk about these stories without rambling on, and it’s easiest just to have the experience yourself. They are windows into life in these countries, stories of real people with real feelings from countries that I had been taught were peopled with faceless Evil Enemies. I found the North Korean works especially interesting (and most especially “A Tale of Music” by Kang Kwi-mi, the longest of the four) – though North Korean fiction is regulated by the government, it gave a fascinating insight into how the government wants people to view living in North Korea, whether or not it reflects the reality of North Korean citizens.

Another thing I found interesting was how many of the Middle Eastern/North African sections were written by writers who had grown up in the countries in question but had either left or were in exile and wrote about their homeland from outside its borders. The context notes point out that most of these countries don’t look kindly on dissenting writing or the writers behind it, so it makes sense, it was just surprising.

And I will admit that even with the context notes in each section, sometimes I just didn’t have the cultural understanding to grasp the significance in some stories. “The Vice Principal” (Iran), for example, is a story of a boy who wrote an essay for school saying that the town body-washer performed the greatest service to society and nearly got expelled over it. I am still very confused over why this essay would warrant that large a punishment – or any punishment at all, really. The teacher was definitely expecting essays on doctors, teachers, soldiers, and such, but he did say that the students could make their own choices, and body-washers do perform a great service (taking care of corpses so they don’t lay around stinking and causing disease, providing proper respect to the deceased, preparing them so the grieving family can bury them properly) and yet are reviled for it. My American sensibilities finds it an unorthodox choice, but the boy’s essay (printed in the story) has a well-reasoned argument and the teacher did say the students were free to write their own opinion. My only conclusion is that I must be missing some piece of cultural context that would make this essay unacceptable for some reason.

I highly recommend this book. It voices almost never heard in the United States, insights and context to cultures Americans have been raised to think of as The Enemy, and works to humanize these perspectives that are often invisible to us. (I also think it would be an excellent book to discuss in a literature class.) If you want to broaden your perspectives, Literature from the “Axis of Evil” will do so.

Poetry

Review: milk and honey

Cover of "milk and honey," featuring sketches of honeybees in white on a black background.

Title: milk and honey

Author: Rupi Kaur

Genre: Poetry

Trigger Warnings: Sexual abuse, childhood sexual abuse, rape, incest, abusive relationships, heterosexual sex

Back Cover:

milk and honey is a
collection of poetry about
love
loss
trauma
abuse
healing
and femininity
it is split into four chapters
each chapter serves a different purpose
deals with a different pain
heals a different heartache
milk and honey takes readers through
a journey of the most bitter moments in life
and finds sweetness in them
because there is sweetness everywhere
if you are just willing to look
– about the book

Review:

These poems are a journey to healing, and they start off really heavy. Like, incest and childhood sexual abuse in the first chapter heavy.

The four chapters are the four stages of the journey. Chapter one is abuse and trauma in the past that affected the author’s (or perhaps character’s – it’s not completely clear how much Rupi is writing from her own experience) ability to form and maintain romantic and sexual relationships. Chapter two is the relationship – intense feelings and deep love on the author’s part, with hints that all is not as perfect as it seems. Chapter three is the breakup and the author grieving while realizing that the relationship was actually unhealthy. And chapter four is healing and recovery.

The poems are good and have some really poignant lines. I was just taken off guard by some of the content. Such as all the incest and sexual abuse, but also a remarkable amount of consensual sexual content too. That’s not necessarily a bad thing, but I am not huge into reading sexual content and also was not expecting it. So if you read this, go into it prepared. That said, it was a quick and enjoyable read, so if you’re prepared for some of the content, you’ll probably enjoy it.

Poetry

Review: To Love While Black Is to Riot

Cover of "To Love While Black is To Riot," featuring a red background and several matches; one of the matches is lit, the rest are not.

Title: To Love While Black Is to Riot

Author: Regina Williams

Genre: Poetry

Trigger Warnings: Racism, police violence, death, cancer (mention)

Back Cover:

Fire is unstoppable. It is raw, godly in power, and spreads to everything it touches. It is inherently dangerous. Fire lines the pages of this book like the road to perdition. It is lingering on every word, every phrase, every mention of love or love lost. It is inescapable and raging. It is the screaming call of a nation that has been beaten and abused. It is the swaying flame of a people with love flowing through their veins who have remained silent in the face of injustice. The Liberty Bell has gone up in flames and the world is watching. The matches have been lit and the fire is spreading. Are you ready to face the fire?

Review:

These poems cover a lot of different topics under the umbrella of “love and blackness,” and I think that’s the point. There are poems celebrating blackness, poems about loving (and losing), and poems about the threat of being murdered by police purely for being black. At the end is a list of black people who have been murdered by cops. The list is four pages long, and the author’s note clarifies that it’s not comprehensive.

The poems are not divided by topic. Poems about love and blackness are mixed in with poems about police violence. Being white, I’m definitely not a good person to comment on the black experience, but I think that was the point – the threat of systemic racism and being murdered by cops is always there for black people, but they continue living and loving anyway.

All of these poems are well-written, beautiful, and emotional. Though this collection is fairly short and a quick read, it contains some big emotions. Regina Williams is a very talented poet and I’m glad that I had the opportunity to read these poems. (I also bought a copy to support the author – I highly recommend you do the same.)

Poetry

Review: If I Were Another

Cover of "If I Were Another," feauturing a photo of the author, an elderly man in a gray suit, tiled so that one and a half copies of the image are displayed.Title: If I Were Another: Poems

Author: Mahmoud Darwish

Translator: Fady Joudah

Genre: Poetry

Trigger Warnings: Mentions of death

Back Cover:

Mahmoud Darwish was that rare literary phenomenon: a poet both acclaimed by critics as one of the most important poets in the Arab world and beloved by his readers. His language—lyrical and tender—helped to transform modern Arabic poetry into a living metaphor for the universal experiences of exile, loss, and identity. The poems in this collection, constructed from the cadence and imagery of the Palestinian struggle, shift between the most intimate individual experience and the burdens of history and collective memory. Brilliantly translated by Fady Joudah, If I Were Another—which collects the greatest epic works of Darwish’s mature years—is a powerful yet elegant work by a master poet and demonstrates why Darwish was one of the most celebrated poets of his time and was hailed as the voice and conscience of an entire people.

Review:

These poems are not for me. They’re lyrical and beautiful, but I don’t get them. I don’t feel the stirring of emotion that’s supposed to accompany good poetry (and if the number of awards this book has received is any indication, this is objectively good poetry).

Some of it might be because these poems are translated from their original Arabic, and translations necessarily lose some of the nuance and emotion. Although this book has also won an award for translation, so obviously people who know these kinds of things think the translation is good. Mostly, I think I am just not the intended audience for this book.

Mahmoud Darwish is Palestinian, and the major themes of his poetry are exile, loss, and identity when your homeland has been taken from you. None of which I can relate to at all – I haven’t even encountered any significant loss in my life. So I don’t have the life experiences to relate to the emotions he’s trying to convey in these poems.

That said, though, I did enjoy the book. The poems are poetic and lyrical, and since I’m studying Arabic it was interesting to think about translations. These poems are just not written for me, and that’s okay.

Poetry

Review: salt.

Cover of "salt." featuring the title in small black text on a pure white background.Title: salt.

Author: Nayyirah Waheed

Genre: Poetry

Trigger Warnings: Colonialism, racism

Back Cover:

salt. a literary work.

Review:

Wow. The poems are bite-sized (some only three lines long), but the feelings are definitely not.

I normally call authors by their first names in my reviews, but Nayyirah Waheed has awed me so much that I feel like she deserves a little more respect. Ms. Waheed is astoundingly gifted with words. She summed up the complex feelings of my childhood in a poem that was only 12 words long. Theoretically that shouldn’t be possible, but I swear this book is magic. It brings up emotions, some of which I don’t have words for – but that’s okay. These poems make you feel like it’s just okay to feel.

Ms. Waheed also includes poems about colonialism, racism, and the experience of being Black. (This next bit is going to sound a little racist, but bear with me.) I’d never really understood on an emotional level the effects of racism and oppression. Sure, I knew it was bad and that oppressed people must suffer, but let’s be real – I’m white, straight-passing, cis-passing, and don’t require any acommodations for my disabilities. I’ve never been oppressed. These poems gave me a brief glimpse of the complicated emotions black people feel around racism and colonization.

I definitely recommend that white people read this book. Actually, I recommend everybody read this book. It’s a quick read, but it’s so powerful and so full of feeling. This is what poetry should be, and I adore it.

Poetry

Review: The Princess Saves Herself in This One

Cover of "The Princess Saves Herself In This One," featuring white lower-case text on a black background
Image from Amanda Lovelace

Title: The Princess Saves Herself In This One

Series: Women Are Some Kind of Magic #1

Author: Amanda Lovelace

Genre: Poetry

Trigger Warnings: Sexual assault, suicide, self-harm, violence, eating disorders, abuse

Back Cover:

A poetry collection divided into four different parts: the princess, the damsel, the queen, & you. the princess, the damsel, & the queen piece together the life of the author in three stages, while you serves as a note to the reader & all of humankind. Explores life & all of its love, loss, grief, healing, empowerment, & inspirations.

Review:

This is a book of poetry. I’ve never reviewed a book of poetry before. I’ve never actually read an entire book of poetry before. So here goes nothing.

I found these poems to be really good and really powerful because I’ve been in a lot of those situations. Amanda Lovelace talks about parental abuse and sexual assault, eating disorders and self-harm, heartbreak and abusive boyfriends. She strings words together in a relatable, powerful, and ultimately optimistic way.

Sure, not all the poems were so great. There were a couple that centered more on flowery language that didn’t actually say a lot. But for the most part, Amanda kept it raw and real. The order seemed disjointed at times, going from one subject to another and then back, but it takes the “princess” from broken and hurting to healing herself and even though it covers a lot of pain and heartache, it ends hopefully, looking forward.

A lot of the reviews on Goodreads criticize this book because there’s no particular rhyme or syllable count to the poems and “just pressing enter randomly isn’t a poem.” I had no problems with that for two reasons. First, I read it as an audiobook, so I had no idea where the line breaks were anyway and just heard it as the author spoke it. Second, when I write poetry I write it like that, too, and it’s a perfectly valid form of poetry in my book.

I might have had a different experience if I’d read it as a physical book instead of listening to an audiobook, but it was still a good read and I appreciated the power and the emotion in the poems. In my opinion, worth the read.

Women Are Some Kind of Magic:

  1. The Princess Saves Herself in This One
  2. The Witch Doesn’t Burn in This One
  3. The Mermaid’s Voice Returns in This One