Title: American Gods
Author: Neal Gaiman
Genre: Urban Fantasy
Trigger Warnings: Gore, blood, death, death of spouse, murder, murder of children, suicide mentions, guns, excrement, kidnapping, car crashes, explicit heterosexual sex, body horror, prison, racist language, transphobia (brief), near drowning, autopsy procedures, vomit (mention), animal death, eating human remains
Back Cover:
Days before his release from prison, Shadow’s wife, Laura, dies in a mysterious car crash. Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America.
Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break.
Scary, gripping and deeply unsettling, American Gods takes a long, hard look into the soul of America. You’ll be surprised by what – and who – it finds there…
Review:
The story is a solid adventure through magic and a bunch of different mythologies, with Shadow following Mr. Wednesday through a lot of crazy stuff and meeting a host of interesting people. Then at the end it hits you with a bunch of twists one after the other and bumps a very good book up to a fantastic one. I thoroughly enjoyed it.
Shadow is not, in a sense, a character. He’s there, sure, and he says things and does things, but he doesn’t feel like a fully realized person and I don’t think he’s supposed to. He has a lot going on all of the sudden that he doesn’t really know how to deal with, and even another character points out that he doesn’t seem very alive. That’s a part of his character’s journey, but he also functions as his namesake – a few stereotypes stacked together into the shape of a likeable but not remarkable shadow we the reader can follow to experience this world and these events.
And said world and events are worth experiencing. The gods came with immigrants from the Old World, but America has forgotten the old gods and worship the new ones of technology and innovation that they create. There is a storm coming. Gods live among humans and survive on the worship and sacrifice they are given, and as you might imagine, the “new gods” of TV and phones and the internet are getting a bit more worship from Americans than Odin and Anansi and Ishtar. Mr. Wednesday wants to do something about that.
His full plan isn’t clear until the end of the book. But in the meantime, Mr. Wednesday takes Shadow all across America and to places beyond reality, meeting old gods and new ones and legends and monsters. Shadow rides a carousel into Odin’s hall, plays checkers with the Slavic god of bad fortune in a dusty Chicago apartment, sporadically lives an ordinary life in a small town under an assumed name, and journeys to the halls of the dead. He meets a host of fascinating characters, some human but many not so much, and it’s great to just follow him around and experience all the wonder and magic under the skin of the world we’re familiar with.
And then the book comes up on the end and hits you with several twists, one after the other, but it doesn’t feel startling as much as the puzzle pieces finally fall into place all at once and the picture revealed is shockingly different from what you thought it would be. (To be fair, I probably would have called one of the twists early on if I’d been reading it instead of listening to an audiobook, but the other ones I don’t think I would have seen coming either way.) Up to this point the book was absolutely good, but those twists bumped the needle of my opinion from “solidly good, I recommend it” to “stunning and magnificient.” Whatever your opinion of the idea or the storyline or the characters, this book is worth studying just for technique, because this is how you write a twist ending. The whole story is great, but with the ending, it’s a masterpiece.
Bluejay Reads 