Fantasy

Review: The Foxglove King

Cover of the book, featuring a pale gold crown with sword-like points and a mirror of the same color with a skull detail at the bottom, surrounded by a variety of light pink and light purple flowers.

Title: The Foxglove King

Author: Hannah Whitten

Genre: Fantasy

Trigger Warnings: Death, injury, violence, gore, body horror (severe), betrayal, parent death, confinement/imprisonment, religious bigotry (minor), child death (minor), religious abuse, child abuse, emotional abuse, animal death, terminal illness (mentions), child neglect (mentions), vomit (mentions)

Back Cover:

When Lore was thirteen, she escaped a cult in the catacombs beneath the city of Dellaire. And in the ten years since, she’s lived by one rule: don’t let them find you. Easier said than done, when her death magic ties her to the city.

Mortem, the magic born from death, is a high-priced and illicit commodity in Dellaire, and Lore’s job running poisons keeps her in food, shelter, and relative security. But when a run goes wrong and Lore’s power is revealed, she’s taken by the Presque Mort, a group of warrior-monks sanctioned to use Mortem working for the Sainted King. Lore fully expects a pyre, but King August has a different plan. Entire villages on the outskirts of the country have been dying overnight, seemingly at random. Lore can either use her magic to find out what’s happening and who in the King’s court is responsible, or die.

Lore is thrust into the Sainted King’s glittering court, where no one can be believed and even fewer can be trusted. Guarded by Gabriel, a duke-turned-monk, and continually running up against Bastian, August’s ne’er-do-well heir, Lore tangles in politics, religion, and forbidden romance as she attempts to navigate a debauched and opulent society.

But the life she left behind in the catacombs is catching up with her. And even as Lore makes her way through the Sainted court above, they might be drawing closer than she thinks.

Review:

I took a long time to get through this book, but it wasn’t the book’s fault. I got about halfway through it and then got in a reading slump where I didn’t feel like reading anything – even though I really enjoyed the first half of this book. But eventually I got over the slump and kept going, and of course I finished this book because there’s so much to love.

If you’ve been following this blog for more than a month or two, you probably already know that two of my favorite things for books to have are absurdly powerful protagonists and weird, creepy, and/or otherwise unique religions, the more fanatical the followers the better. So you will not be surprised to find a large part of what I liked about this book is that it has both of them.

I’m going to start by talking about the religion, because it’s foundational to the world and the magic system that our protagonist uses. First off, there is only one god, the god of light and life – because the rest of the pantheon is dead. The rotting corpse of the goddess of death and darkness, murdered by the god of light some centuries past, is buried underneath the city. Magic spills from the corpses of dead gods, which means the city is full of death magic, called Mortem – although not as much as you would expect, because an order of monks given the ability to interact with Mortem by virtue of a near-death experience are in charge of channeling it into stones and plants and otherwise keeping it from killing people. Which, despite the the fact that all of the names for people and magical forces and everything are terrible in this book, is a fantastic premise. “The gods were real and now they’re dead but their power isn’t” is one of my absolutely favorite fictional religion concepts. “Dead goddess’s corpse buried under the city” is a FANTASTIC premise. I love it.

And then we come to our protagonist Lore, who is not only the most powerful Mortem-wieldier since the necromancers were murdered, but was born with this ability for reasons that don’t get explained until the end but definitely involve our dead goddess. She grew up in a smuggler gang helping her moms move illegal drugs around the city, so she’s scrappy and fierce. But she’s actually not all that great at hand-to-hand combat and doesn’t fall into plucky YA heroine tropes. (Despite Lore being twenty-three, this whole book has a distinctly older-end-of-YA vibe.) She’s clever and fierce and powerful, but she’s also determined to survive and generally makes smart choices, which I really appreciate.

This book also gets an award for having the only love triangle I have ever read that I didn’t loathe. I actually kind of liked it. Lore is attracted to the generally kind, highly loyal, fiercely religious young monk who is assigned to both protect her and keep her from escaping while she navigates the court. She’s also attracted to the incredibly handsome bad boy Prince Bastian, who is powerful in his own way and maybe not as bad as everyone keeps telling her. There was a bit of triangle-ing and confusing pining, but I think there were really two things that kept me from hating it. One is that both guys seemed like reasonable choices, for different reasons – I didn’t feel like one was the obvious good choice and the triangle was just unnecessary complication. The other reason is that Lore refused to let the romance be any more than a background element. She is far too practical to let something silly like two hot guys distract her from what’s really important: Stopping the serial mass murder going on, unraveling the complicated plot of theoretical magic and court politics that may or may not be causing the serial mass murder, and most of all staying alive. Lore did have real human emotions and romantic feelings, but she was also relentlessly pragmatic and set on her own self-preservation, which I really loved about her.

The characters were solid, the story was delightfully twisty, the magic and religion were amazing, and the conspiracy, like a good conspiracy, turned out to be much darker and much wider-reaching than I anticipated. The only thing I didn’t actually like was the ending. It seemed far too straightforward after how complex and layered the rest of the book had been, and felt very anticlimactic. The love triangle didn’t even shake out very well because Lore did make a choice, sort of, but the nuanced relationships she had built with both men seemed to entirely vanish after the climax. Despite how much they had all been through together, they seemed cold and distant, like they were back to being total strangers again. On the whole, it felt unsatisfying.

A somewhat unsatisfying ending doesn’t negate how much I enjoyed the rest of the book, though. World, plot, characters, setting, religion, atmosphere, romance, character dynamics – up until the climax and resolution, they were all fantastic. It’s dark, it’s twisty, there’s a love triangle I didn’t hate, it’s got a dead goddess and creepy monks and creepier nuns and a massive conspiracy, and on the whole, it’s a very good book.

Science Fantasy, Young Adult

Review: Iron Widow

Cover of the book, featuring an East Asian woman wearing a tight black suit with silver armor down her spine, Around her are a pair of red and yellow wings so bright they almost look like they're glowing.

Title: Iron Widow

Series: Iron Widow #1

Author: Xiran Jay Zhao

Genre: Science Fantasy (it’s clearly and obviously science fiction but it feels like fantasy)

Trigger Warnings: Misogyny (severe), sexism (severe), child abuse, domestic abuse, death, death of parents, child death, blood, injury, torture, body horror (mild), non-consentual being inside someone’s mind/having someone in your mind, alcohol, alcoholism, suicidal ideation, sexual content

Back Cover:

Pacific Rim meets The Handmaid’s Tale in this blend of Chinese history and mecha science fiction for YA readers.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn’t matter that the girls often die from the mental strain.

When 18-year-old Zetian offers herself up as a concubine-pilot, it’s to assassinate the ace male pilot responsible for her sister’s death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​

To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

Review:

I had some reservations about this book going in that had nothing to do with the book itself. The author is a YouTuber that my husband watches (he’s the one who told me about this book), but I haven’t seen any of their videos. I knew nothing about the book besides its back cover. What had me worried is that I put it on hold at my library, which told me that based on the number of people ahead of me it would be about a 17-week wait. Five weeks later, I got a notification that it was ready to borrow. As I told my husband, either it was so good that people were devouring it and finishing it fast or it was so bad that people were giving up fast.

Luckily, the former was the case. This book is fantastic.

It was also very hard to read at many points. Misogyny is something I find it hard to read about, especially when it gets extreme, and everything in the world of Iron Widow is built on misogyny. There is foot-binding in this world. The only use of daughters is selling them off to be wives or die in battle. Chrysalises are the only defense against the invading aliens, and when a man and a woman get into one, only the man will survive.

Zetian is angry and she has every right to be. Her family only cares about the money she can bring in through either a bride price or a war death payment for dying in a Chrysalis. They are only sad about her older sister’s death because she was murdered outside of a Chrysalis and therefore her family didn’t get the payment. Her father and grandfather are violent and abusive, her mother and grandmother are cowed, and she knows they do not love her. If they want to sell her to her death anyway, the death penalty for killing the male pilot who murdered her sister won’t be anything worse.

This acceptance of death made her absolutely fearless, and I loved it. The perfect girl is beautiful and silent, moving slowly on her bound feet, obeying every order and taking insults and abuse without complaint. None of the men Zetian encounters have any idea what to do with a girl who has accepted she’s going to die and therefore sees no point in trying to avoid the wrath of men. She is an absolute delight of fury, and I love it when books let girls embrace their rage.

I don’t know if Xiran intended this, but Zetian’s bound feet were relatable disability feels. I don’t have bound feet, but I do have a chronic pain condition that especially likes to screw up my hips, knees, and other joints required for walking, and I absolutely related to the frustration and anger and feeling of being limited that comes with every step hurting, needing a mobility aid like a cane to walk longer distances, and knowing that it will never be fixed. I have no idea how much of what’s in the book is accurate to actual footbinding practices, but it was definitely relatable to my experience of mobility- and pain-related disability.

The themes in this book aren’t really subtle, especially the whole thing about a misogynistic society. I absolutely loved the progression of it, though. Zetian knows that there is misogyny in the world and that she and her sister have no worth outside of supporting, serving, and dying for men simply because they’re women. She starts the book blaming individual men, with the goal of murdering the individual man who murdered her sister. But the book takes her along a journey from “individual men are the problem” to “the system is the problem” as she learned more about the individual men and the system.

And if you’re not here for themes – well, I think you’d be missing out on a lot of what makes this book great, but you do get epic mecha battles, magic with a thin veneer of science used to fight invading aliens, psychic fights in a mental realm, good old-fashioned fisticuffs, powerful prisoners with hearts of gold, underdogs teaming up to give the people in charge a gigantic middle finger, a love triangle that ended in the best way possible, and several amazing twists (only one of which I suspected).

This review is already getting long, and I haven’t even mentioned the rich and complex world-building, the amazing twists, the rich atmosphere, the fantastic relationships between Zetian and the two love interests in the triangle, the minor themes about women who participate in their own oppression, and all the other wonderful things in this book. It’s fantastic. Everything about is dark and gorgeous and burning with fury and flame. I adore this book.

I also recommend checking out the author’s website. There’s character profiles, fanart, and even memes (mild spoiler warning for how the love triangle shakes out, though).

The Iron Widow series:

  1. Iron Widow
  2. Heavenly Tyrant