Horror, Post-Apocalyptic, Satire

Review: Severance

Cover of the book, featuring the title on a white sticker stuck on a pink wall; there is a chip in the paint near the top of the cover showing grayish wall beneath.

Title: Severance

Author: Ling Ma

Genre: Satire/Post-Apocalyptic/Horror

Trigger Warnings: Death, body horror, terminal illness, zombies, blood, gore, bodily fluids, existential horror, sexual content (minor), guns, death of children, pregnancy, confinement, death of parents, drug use (mentions), suicide, suicidal thoughts, car crash (mention), child abuse (mentions), religious bigotry, alcohol use, vomit (mentions)

Back Cover:

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend.

So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.

Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?

A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.

Review:

I barely skimmed the back cover before picking this up. I’m trying to read more broadly. I don’t think I’ve ever knowingly read a satire, it’s by a Chinese author featuring a Chinese protagonist, and looked to be satirizing the meaninglessness of modern work culture (relatable) and post-apocalyptic fiction (I’ve read a lot, could be interesting).

This was published in 2018, but I had to check. I think it was supposed to be satire of the modern millennial life in NYC or modern work or the post-apocalyptic genre or all of the above. In 2018, maybe it was. But in February 2022, nearly two years into a deadly global pandemic that varies only slightly from the “epidemic” of the book, Severance isn’t satire – it’s prophetic.

This book is told out of order, altering back and forth between Before and After. Before and After what isn’t obvious in the book, but it’s clear to me. I can’t pinpoint a particular event or moment, but my life has definitely divided into Before Covid and After Covid. As Candace says, “It seemed to happen gradually, then suddenly.” Candace keeps going into work as everything slowly crumbles, keeps trying to do her job even though there’s less and less job to do, until suddenly it’s After and nothing is the same.

I am not going to talk about the After timeline. It has its own emotions and its own kind of horror, but the Before timeline is what mattered most to me.

I didn’t think I had much if any of that “collective pandemic trauma” people talk about. Then I read Severance, and it turns out I do. When Candace’s job started requiring N95 masks, I felt a sinking familiarity. When a character first said the phrase “these uncertain times,” it felt like a punch in the gut. This book pulls on the trauma of living through a pandemic and the horror of surviving an apocalypse and combines them into something vividly repulsive and hideously possible. It evokes the visceral terror of being in a place usually full of people and discovering you are alone; the agonizing helpless realization that even if you survive this, there is no future; the despair of knowing that even if the world is ending, the only thing you can do is get up and go to work.

I read this as an audiobook at work, my mind lost in the horror and despair of this barely-fictional world while my hands, nearly independent of the rest of me, did my job. Scan the box. Open the box. Take out the bag. Label the bag. Put the bag in a new box. Label the new box. I repeat the same process over and over again, just like the epidemic victims in the book. I think that – the monotonousness and mindlessness of modern work – is what Severance is supposed to be satirizing. But that is not what I took from it.

If there is an apocalypse, it won’t be like any of my post-apocalyptic novels. If it’s like any work of fiction, it will be like this. And if that’s the case, I don’t think I want to survive. I took several books off my to-read list. I have no more desire to read any post-apocalypses. I am too afraid of surviving the end of the world.

I’ve never legitimately described a book as life-changing before, but Severance is. I feel like I’ve just realized the world is about to end and can’t understand everyone continuing on and worrying about unimportant stuff. After I put the book down I felt off-kilter, like my life (or my psyche) was in a box that just got knocked off a table and nothing inside can ever be the same again. I feel like I have to sit down and figure out what actually matters because most of the shit I’m doing now just doesn’t.

Severance feels terrifyingly, painfully, imminently possible. If no one ever recovered from covid, we might be living in the world of Severance right now.

This book is not satire. It’s psychological, existential horror.

Space Opera

Review: Once & Future

Cover of "Once & Future," featuring a pair of brown hands with silver and pink armor grasping a sword glowing pink and blue.

Title: Once & Future

Series: Once & Future #1

Authors: A.R. Capetta and Cory McCarthy
The names on the book cover are Amy Rose Capetta and Cori McCarthy, but these are the names on the authors’ website and seem to be what they prefer to go by as of this review.

Genre: Space Opera

Trigger Warnings: Death, death of children, death of animals, death of parent, murder, blood, gore, genocide, rape (mentions), violence, grief, body horror (mild-moderate), prison (brief), needles (mentions), being injected without consent, misgendering (once, accidental and immediately corrected)

Back Cover:

My name is Ari Helix. I have a magic sword, a cranky wizard, and a revolution to start.

I’ve been chased my whole life. As a fugitive refugee in the territory controlled by the tyrannical Mercer corporation, I’ve always had to hide who I am. Until I found Excalibur. Now I’m done hiding.

When Ari crash-lands on Old Earth and pulls a magic sword from its ancient resting place, she is revealed to be the newest reincarnation of King Arthur. Then she meets Merlin, who has aged backward over the centuries into a teenager, and together they must break the curse that keeps Arthur coming back. Their quest? Defeat the cruel, oppressive government and bring peace and equality to all humankind. No pressure.

Review:

King Arthur in space. Cool idea, right? It gets better.

King Arthur and his knights are reincarnated every so often. The 42nd King Arthur is Ari Helix, an illegal immigrant from a blocked-off planet currently on the run with her adopted brother after their mothers were arrested and imprisoned for not turning Ari in. They’re on the run from the Mercer Corporation, the galaxy-wide monopoly on everything that blocked off Ari’s planet for saying that monopolies were bad, actually, and basically are the government because if the government does something they don’t like they can just stop delivering food and water until the government changes their mind.

Ari herself is hard-headed, stubborn, devoted to those close to her, and deeply passionate about truth. She is almost physically incapable of telling a lie, hates lies by omission just as much, and once ended a relationship because she felt like her girlfriend not telling her every single thing about herself immediately up front was tantamount to being lied to. Not only did that make her an interesting character, but it functioned as both a positive thing and a character flaw depending on the situation.

Merlin was a point-of-view character, cursed to age backwards so a couple millenia after helping the original King Arthur he’s somewhere around seventeen. It’s his job to mentor each reincarnation of Arthur, train him (or her, in the case of Ari), and accomplish a series of steps that the Lady of the Lake set out to end the cycle of reincarnation. Forty-one Arthurs before Ari have died without completing the steps, and Merlin carries the guilt of every single one. He is also incredibly gay, and completely adorable falling for one of Ari’s “knights.”

All of the characters in this book are stellar (pun intended). From Ari herself to her love interest Gwen (regal, pragmatic, and literally queen of a planet); Merlin (terrified of de-aging out of existence and not sure what to do about teenage hormones) and Morgana (not quite a physical being and fairly terrifying); Ari’s knights, including her relentlessly practical brother and a nonbinary friend who uses they/them pronouns; and the director of the Mercer Corporation who gives the faceless evil company a hateable and very punchable face.

I’ve seen criticisms of this book saying the pacing is all over the place, and I can absolutely understand not liking this. But personally, I found it a delightful sort of chaotic. This book gets really dark at times, from relationship betrayals to literal genocide, and fits a lot of really intense emotions into less than 400 pages, but it’s balanced somewhat by witty quips and bordering-on-absurd situations. It’s one of those books where looking back some of it was a little ridiculous, but in the moment it was a great read.

Considering the end of this book, I’m not sure I want to read book two – the ending wasn’t bad, but it was setting up what sounds like a vastly different type of adventure, and I don’t know if that’s really what I want out of these characters and this concept. But this book was absolutely worth the read.

The Once & Future series:

  1. Once & Future
  2. Sword in the Stars